MILLENNIUM
PROJECT
Millennium Project
- New works of art, literature, communication by invited
guests
MAY BE OFFENSIVE TO SOME READERS
JUKKA LEHMUS
Finland
ANABASIS
(Thomas Lowe Taylor)
USA
KOMNINOS ZERVOS
Australia
 |
KOMNINOS HYPERPOETRY
student.uq.edu.au/~s271502
HUGH MCMILLAN
Canada
JIM ANDREWS
Canada
There's only four so far.
I'm hoping some more pop up.
They haven't fully matured yet,
come to accept their place
(or lack thereof)
in the world.
They're still acclimatizing
to the 'neath text they inhabit,
still dealing with it.
They've never really known
any other place,
but they know
that they're in an odd position.
THE PEN ~ VERSE ONE OF EIGHT
JIM ANDREWS VISPO
www.vispo.com
TOM BELL
USA
JOHN CAYLEY
UK
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Going a little | e e e |
a c a c egfg | cha hs ca le | s H
egfg egfg egfg egfg | e e e e ete e e |
Leav | line e | alone
| |
fca d f dcac fcbc | a is.anda a a a | island
g bc gcbc g b g | e a ea a e e |
The sun is in the cloud | le non anai atre k*oud | (will not) see
#dcbc # fcbc gbab ( | #dkbk # fhbk jbab ( |
f | dp o i | D H y T
MARTIN | |
SPINELLI Fairly co | saillu ko | hear
cfef cfef efef efef efe | kfes hfef afef efeq efe | (your) echoes
| |
Little purr. | .ittle porr. |
d g b a g a d | | J ` L
efdf egdf # cfdf # cfdf | Tues 17 Mar'98, 8pm |
| | return JOHN
g 7 | S u b V o i c i v e | CAYLEY
dede g 7 g. 7 g. | | light
d 7 dede g de | Upstairs | lakeside
d | The Three Cups |
e e | Sandland Street | _ " C a W
#7 # 7 (.)b #7 fb | (Holborn Tube) |
7d#c d g 7 e#d | Admission GBP 5/2.50 | mosses
f d c# * | |
---------------------------------------------------------------------------
JOHN CAYLEY
www.demon.co.uk/eastfield/in
LARRY JAFFE
USA
miles showed me his trumpet miles davis lived around the block from me deep in the upper west side of manhattan island and he played like one man could be an island living for his horn that paid his daily bread and living in this house made of gingerbread on west 77th street while i lived on west 76th and would see him every now and again going into that brownstone that his horn built i got to meet miles walked round the block round the clock where miles stood outside his homestead proud as peacock he told me how much he liked san francisco women cause their bottoms were so round not flat from riding subways all days he said with smile nudging me guyhood joke you know what I mean he said with trumpeting grin tickling ivories we went inside past the new york faade and into his musical domain headquarters for lonely horn players miles still smiling at this stranger then he showed me his horn the purity of miles' trumpet leans into me he sings it blue my eyes tear uncontrollably he has touched melodies that riff with magic i escape egos with this horn it is evolution of life in notes counterpoint my fingers feel broken in comparison they want to make the same sounds with words that staccato lip thing that makes the trumpet merge with man he showed me his horn in this house of stalactites hanging upside down from ceilings made of sugar coated dreams when i was a kid i dreamed of playing trumpet wanted it more than sex but i wore braces on my teeth and they said i would cut my lips to ribbons and bleed on my horn i looked up with tears and thought miles always always bleeds on his horn
LARRY JAFFE
larryjaffe.server101.com
PETER GANICK
USA
MARK PETERS
USA
LAWRENCE UPTON
UK
STEVEN DUPLIJ
Ukraine
POEM BY NARI
Canada
MECHANICALBRIDE
[ FOR IMMEDIATE RELEASE ] 29 February 2000
----------------------------------------------------------
> * MECHANICALBRIDE
> --------------- U R invited to witness participate process
>
> P o e m b y N a r i
>
> (V)|3 * (V) e < ++ /\ |V ! < /\ |_ |3 |7. ! |> e
>
> Webartery Defib++ SU 12 MR 00 1200 PST <
> 2000 GMT <
> --------------- http://webartery.com
LIVE IRC <
GIF87a*(V)e<++/\|V!</\|_|3|7.!|>e
Ģ(fmJQJTe댋J6q
FPwC~X3h2ȌiB00wj
j!xJʌ*VbxY7A|K˥<0kf
,=m-Wm)M>,β}.<MW匍̀Zu/%S
[4_]WOB9ŌbP*4Nbѥی_&ʅ
Q4rvdKmSNQs&fpaFD+Y/k JŅ,
.䩜挞40Yy)Iiɟ韌PbN
* M E C H A N I C A L B R I D E
> Tempor[t]al source/target net.art inter[tra]ject(ory) on Live
> intention/execution Event point -- [hyper]mediating threshold
>
> Event intention/execution -- Live source/target net.art point
> [hyper]mediating Tempor[t]al on threshold inter[tra]ject(ory)
>
> Live [hyper]mediating inter[tra]ject(ory) intention/execution
> on source/target Tempor[t]al Event point threshold -- net.art
Thanks to: Webartery, Modem Bride Magazine, Marcel Duchamp
[ MECHANICALBRIDE ] http://warnell.com/syntac/mcbride.htm
----------------------------------------------------------
11 March 2000
----------------------------------------------------------
<I N T E R [ e ] R U P T I O N>
Last jog of your memory banks -- Defib tomorrow SU 12 MR 00 for
Poem by Nari's ++ MECHANICALBRIDE ++ and hope to see you there!
a PROCESS: /LIVE FEED/ output >> *PROCESSED* input ++input
source /PROCESSING: *output* M E C H A N I C A L B R I D E
* (V) e < ++ /\ |V ! < /\ |_ |3 |7. ! |> e
> Webartery Defib++ SU 12 MR 00 1200 PST ;
> 2000 GMT ;
> --------------- http://webartery.com
LIVE IRC ;
> IRC - description: defib
server: irc.ram-page.com
port(s): 6667
connect: select the "#defib" channel, or,
type "/join #defib" at the prompt
----------------------------------------------------------
Sunday 12 March 2000
1200 PST 2000 GMT
www.webartery.com
POEM BY NARI
warnell.com/syntac/mcbride.htm
PATRICK BURGAUD
Netherlands
SHOCKWAVE FLASH v.3.0+
MEZ
Australia
dif.fur.rent spacez
Date: Fri, 10 Mar 2000 12:43:41 +1100
To: "vervewriting" <verve@lists.va.com.au>
From: The Fleshtronic <mezandwalt@wollongong.starway.net.au>
Subject: [verve] Re: dif.fur.rent spacez
>Is your experience of cyber space changing the way you relate to
>and conceptualise material space?
a[h!] chinese box with-n a[h] codec box with-iN a[h!] kodex box....
i sit @ mi mezchine and pok n textprod the screen, while birds sing and
codez khime along...
mi source Kode getz re-wrightten, i sleep n eat and source N type and
ab.sorb[ic - orange jooze N toast meatz my email n-deavourin; garlic prawns
and wine reside with talk n torque; voicemail N mezzagez N my pardner's
smooth body tendrill-touch[e] the o.ther[e].....]
mi wurdz blend, my text taps dance, my blood re.acts n hearz the sounds of
the spaces real and flesh m-patient...
mi breath steamz, my fingerz itch n glide, my tronics melt and cum inside
my shell....
mi other dopplez, my gangerz stretch, mi dopplegangs N gongz....
[n-sert: a seamlezz split; a[h] cord that plugz in2 my spine; a gap that
echos life n /nick life]
[n-sert: a[h] playful pen; a clacking board n gigglez; a hair flik n sore
finger paddz]
[n-sert: ah dog panting; a recording ov a dog panting; a animation of the
sound of a dog panting]
codic boxez meetin monitor boxez meetin cortex [purr.ception]
boxez....fingertipping gamez N slow smooth arching sonicz....
[end]
MEZ
wollongong.starway.net.au/~mezandwalt
FRANCIS RAVEN
USA
ALAN SONDHEIM
USA
KENJI SIRATORI
Japan
JORGE LUIZ ANTONIO
Brazil
" Tribute to Cesario Verde "
I N F O P O E M
BRAD BRACE
USA
_______ _ __ ___ _
|__ __| | /_ |__ \| |
| | | |__ ___ | | ) | |__ _ __
| | | '_ \ / _ \ | | / /| '_ \| '__|
| | | | | | __/ | |/ /_| | | | |
|_| |_| |_|\___| |_|____|_| |_|_|
_____ _____ ____ _ _ _ _____ ______ _____
|_ _|/ ____| _ \| \ | | | | __ \| ____/ ____|
| | | (___ | |_) | \| |______ | | |__) | |__ | | __
| | \___ \| _ <| . ` |______| | | ___/| __|| | |_ |
_| |_ ____) | |_) | |\ | | |__| | | | |___| |__| |
|_____|_____/|____/|_| \_| \____/|_| |______\_____|
| __ \ (_) | |
| |__) | __ ___ _ ___ ___| |_
| ___/ '__/ _ \| |/ _ \/ __| __|
| | | | | (_) | | __/ (__| |_
|_| |_| \___/| |\___|\___|\__|
_/ |
|__/
> > > > Synopsis: The 12hr-ISBN-JPEG Project began December 30, 1994.
A `round-the-clock posting of sequenced hypermodern imagery by Brad
Brace. The hypermodern minimizes the familiar, the known, the
recognizable; it suspends identity, relations and history.
The 12-hour ISBN JPEG Project
-----------------------------
began December 30, 1994
Pointless Hypermodern Imagery... posted/mailed every 12 hours... a
stellar, trajective alignment past the 00`s! A continuum of minimalist
masks in the face of catastrophe; conjuring up transformative
metaphors for the everyday... A poetic reversibility of events...
A post-rhetorical, continuous, apparently random sequence of
imagery... genuine gritty, greyscale... corruptable, compact,
collectable and compelling convergence. The voluptuousness of the grey
imminence: the art of making the other disappear. Continual visual
impact; an optical drumming, sculpted in duration, on the endless
present of the Net.
An extension of the printed ISBN-Book (0-9690745) series... critically
unassimilable... imagery is gradually acquired, selected and
re-sequenced over time... ineluctable, vertiginous connections. The
12hr dialtone...
[ see ftp.idiom.com/users/bbrace/netcom/books ]
KEYWORDS: >> Disconnected, disjunctive, distended, de-centered,
de-composed, ambiguous, augmented, ambilavent, homogeneous,
reckless... >> Multi-faceted, oblique, obsessive, obscure, obdurate...
>> Promulgated, personal, permeable, prolonged, polymorphous,
provocative, poetic, plural, perverse, potent, prophetic,
pathological... >> Evolving, eccentric, eclectic, egregious, exciting,
entertaining, entropic, erotic, entrancing, enduring...
Every 12 hours, another!... view them, re-post `em, save `em, trade
`em, print `em, even publish them...
Here`s how:
~ Set www-links to -> http://bbrace.laughingsquid.net/12hr.html. Look
for the 12-hr-icon. Heavy traffic may require you to specify files
more than once! Anarchie, Fetch, CuteFTP, TurboGopher...
~ Download from -> ftp.pacifier.com /pub/users/bbrace
Download from -> ftp.idiom.com/users/bbrace
Download from -> ftp.rdrop.com /pub/users/bbrace
Download from -> ftp.eskimo.com /u/b/bbrace
* Remember to set tenex or binary. Get 12hr.jpeg
~ E-mail -> If you only have access to email, then you can use FTPmail
to do essentially the same thing. Send a message with a body of 'help'
to the server address nearest you:
ftpmail@ccc.uba.ar ftpmail@cs.uow.edu.au
ftpmail@ftp.uni-stuttgart.de ftpmail@ftp.Dartmouth.edu
ftpmail@ieunet.ie ftpmail@src.doc.ic.ac.uk
ftpmail@archie.inesc.pt ftpmail@ftp.sun.ac.za
ftpmail@ftp.sunet.se ftpmail@ftp.luth.se
ftpmail@NCTUCCCA.edu.tw ftpmail@oak.oakland.edu
ftpmail@sunsite.unc.edu ftpmail@decwrl.dec.com
ftpmail@census.gov
bitftp@plearn.bitnet bitftp@dearn.bitnet
bitftp@vm.gmd.de bitftp@plearn.edu.pl
bitftp@pucc.princeton.edu bitftp@pucc.bitnet
~ Mirror-sites requested! Archives too!
The latest new jpeg will always be named, 12hr.jpeg
Average size of images is only 45K.
*
Perl program to mirror ftp-sites/sub-directories:
src.doc.ic.ac.uk:/packages/mirror
*
~ Postings to usenet groups:
alt.12hr
alt.binaries.pictures.12hr
alt.binaries.pictures.misc
alt.binaries.pictures.fine-art.misc
* * Ask your system's news-administrator to carry these groups! (There
are also usenet image browsers: TIFNY, PluckIt, Picture Agent,
PictureView, Extractor97, NewsRover, Binary News Assistant, Newsfeeds)
~ This interminable, relentless sequence of imagery began in earnest
on December 30, 1994. The basic structure of the project has been over
twenty-four years in the making. While the specific sequence of
photographs has been presently orchestrated for more than 12 years`
worth of 12-hour postings, I will undoubtedly be tempted to tweak the
ongoing publication with additional new interjected imagery. Each
12-hour posting is like the turning of a page; providing ample time
for reflection, interruption, and assimilation.
~ The sites listed above also contain information on other
transcultural projects and sources.
~ A very low-volume, moderated mailing list for announcements and
occasional commentary related to this project has been established at
topica.com /subscribe 12hr-isbn-jpeg
--
This project has not received government art-subsidies. Some
opportunities still exist for financially assisting the publication of
editions of large (36x48") prints; perhaps (Iris giclees) inkjet
quadtones bound as an oversize book. Other supporters receive rare
copies of the first three web-offset printed ISBN-Books.
<< http://bbrace.laughingsquid.net/buy-into.html >>
--
ISBN is International Standard Book Number. JPEG and GIF are types
of image files. Get the text-file, 'pictures-faq' to learn how to view
or translate these images. [ftp ftp.idiom.com/users/bbrace/netcom/]
--
(c) copyleft 1994,1995,1996,1997,1998,1999,2000,2001
<bbrace@eskimo.com>
BRAD BRACE
bbrace.laughingsquid.net
J O D I
EU
GENIWATE
Australia
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If truth = beauty = |
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religion, |
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then |
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there is a class |
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{HCl, Holy Ghosts, electromagnetism, prime numbers,
snap dragons ... } |
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this complete class |
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we shall call, for the sake of experiment, |
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perfection. |
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In a catholicism of smallest parts |
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only the
words
texts
theories
codes |
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mislead, via the sin of specificity - |
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Here is the penance: |
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put your hand |
through, |
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through the mirage of mechanisms. |
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See how refraction distorts it, and it becomes |
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part of the many Marys, but still you, part of the |
= you. |
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the awe + full |
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GENIWATE
www.idaspoetics.com.au
PASCALE GUSTIN
France
"intermission's signs"
Exec=multiload_applet --activate-goad-server=multiload_netload_applet
Icon=
Terminal=0
Type=Application
-C-
c^\::::::::::/^est pOUr_c(el)-@
QU+ e_\.(l)le
-[C-][rbral_][a n][e\.march]=e
Q- a ne [mar(QU)e_pas] (A)=[C-]
----------------------------------[
]--------------------------------------------
-[C-(OU)et].[de(S)\.l'OR][dRe]-(E)[N]t[ABLE]--------------i
------------------------------------------------[
]--------
:][a n][e(s)t pas la par]O[le]
l-a-p-a-r-o-l-e-n-e-s-t-p-a-s-]
L-->:[OR(b)]\.[dr]:(e)-
-c- le D_
s---(T)oRdRe
elle est en ds/ordre
& jE la MeTs en ()oR[T][dre] en mAr|qu[Br And~Zeichen] eN (r)d
[T]Ro(p)
c'est en marquant que j'or|be -donne la parole
ou du moins je tente de le faire
je tente la parole
je tente de lui donner les moyens de faire
ou de refaire oeuvre
de se mettre l'OE_uvre a/fin qu'elle ne tourne pas
=
=
--non pas en ordre mais qU_e(rE)lle puisse se mettre en p[\.G]lace
avec le corps dans le cOR(gan)PS
et qu'elle puisse marquer le papier
car elle sera en plAC\.e dans le corps entier
[Desktop Entry]
PASCALE GUSTIN
www.atelierblanc.net/p-gustin/02atelier/cadre1.htm
D.ROSS PRIDDLE
Canada
BOB GRUMMAN
USA
 |
PO-X-CETERA BLOG
www.geocities.com/comprepoetica/Blog/Bloghome.html
KIRILL AZERNYY
Israel
ted@warnell.com
