POEM BY NARI BEAUTY FICTION

POEM BY NARI
visual poetry from the cyberstream

	ndandsexualpossessionbecomesaformofrenewingtheother sdistinctness Cha capetheimperialismofnarrativity Butnonnarrativealonewillestabllish amo nathematicintention Thisspaceisthepoet sspace Itsdemandishermethod Su literaryhistory Hanover WesleyanUniversityPressofNewEngland 1993 7 M P tripod com trbell criticism immed htmLafaille R Lebeer J 1991 The Onward Contemporarypoetryandpoetics NewYork PeterLang 1996 p 276 3 L relevanceoflifehistoriesforunderstandinghealthandhealing Advances 7 16 hings Themoststrikingaspectofthehighlydifferentiatednaterialinthe Marr in Songsofdegrees Essaysoncontemporarypoetryandpoetics Tuskaloosa Univ O Hara perhapspartlyinresponsetogesturalabstractpainting MichaelPalme onalcontextswithinwhichpoeticlanguagemayberenewed inchoosingtoplaywi anevocative it Nowtheartobjectitselfdisclosesalifeoftherose capab nessisthelivinginterplayofaself generatingactivity p 74GestureJohanna ionsplayanimportantpart andanimprovingsenseofhealth p 26 Idon twantt snewterm whatwefindistheLatin textura aweaving Shapesaretheearli henotionofthegenuine andtheresultingfrictioninthelanguagehasaneffectiv anguage whichalsobindstogetherandextends includingasitisolates isacity entlygeneratesimaginativelocalitiesandincommensurateparticularswhiches ngthekingdomsandprncipalitiesofnarrative theproperworldofwhatBlakecall thesepoemsistowardtherepeateddiscoveryofthisareaofconflict centeredint almoon whichcouldsuddenlybecoveredwithacloud amoonutterlyindependent m immed htm6 Thisspaceisthepoem sspace Lettersaresoundswesee Soundsle itisaprocessofcontinualexpansionorgrowth themanyfromtheone DonaldFra ry generallynon metrical It]haslatelydrawnincreasinglyonindigenou s popularmusicformsaswellassurprisinggraphicaleffects Thespaceofthepag eistakenasasiteinitself asyntacticalandvisualspacetobeexpressivelyexpl r Activeboundaries Poetryattheperiphery asreprintedinBaker Peter ed speakingtome[quotesSpicerondesirefor themooninmy Spicer s poemstobeare certain tragic ethosorstanceforwhichthedesiretowriteversepreordainedme leofsynthesizingmasculineandfeminineinacomplexstructureofbrokenedges ntactanddisplacement Linebreaksandvisualcontrapuntalstressesrepresenta Druckerhttp www granarybooks com granary frames2 htmlhttp members ndwecanseeasynchronicitybetweenaninnergrowthprocess inwhichactivedecis ksterthatunearthsmyshadowsidethatisreallyadelicatemaidenthattremblesan ncisTovey defines fuguesimplyas atexture Forwhenwelookfortherootofthi estindicationsofform Itisshape incoordinationwiththeotherfirstsofgly rlesAltieri PainterlyabstractioninmodernistAmericanpoetry Cambridge C ingfulcontexttotheobjectivelifehistoryandthecasehistory Butwewouldgoon sforimaginativeactivity Indeed antinarrativefrequentlygeneratesimagina also StephenRodefer Preface Fourlectures GreatBarrington MA TheFi theopeningofthefield Perloff Marjorie Talkpoetry talkshow andthesc ChicagoPress 1991 4 PaulVangelisti Collageaslanguage furtherthoughtso dshakesinthewindtheslightestwindthatwaftsoveritishardtrytotrustinwhatw tobemorethanIhavegivenmyselfcreditfor 8 fugueitselfisnotaform Rather ofimages Vangelistithengoesontodescribehisownexperiencesworkingwithc ambridgeUniversityPress 1989http members tripod com trbell criticis sanHowe Theseflamesandgenerositiesoftheheart EmilyDickinsonandtheillo gicofsumptuaryvalues in Thebirthmark UnsettlingthewildernessinAmerican ulusandresponse or youcanrefuseto youcanclaimtherighttoseeitasarationa linterplayofforces asthefunctioningofaself creatingcoherence Conscious ingmybreathandkeepingfromgivingvoiceorwritingoutorlettinggrowmydesires ersityofAlabamaPress 1994 9 Whatthenistheorderwhichpervadesaworkliketh gures 1982 Thecreationofthisnew wilderness ofwhatRobertCreeleycalled chPress 1989 collage grewoutofanurge howeverfictivelyorartificiallyr ubstantiveandgrammatologicalrelationshipswhichconventiionwillnormallym eperson sbody p 24 thesubjectivebiographygivesanecessaryandmean offeelingsofdisintegration thefeelingsalwaysprecededthediseaseintime A iage isthatitencouragesthereadertodrawoutunusualsubstantiveandgrammato tivelocalitiesandincommensurateparticularswhichescapetheimperialismofn epowerof gusto Costello Bonnie MarianneMoore Imaginarypossessions capableofpreservingthatimaginativespaceinwhichsexualidentitiescanble Follet Creativeexperience NY Longman s Green andCo 1924 Youcantea aytheseexperiencesareintegratedandexpressedinaperson slife includingth y p 26 Wealsocanfindaconnectionbetweentheonsetofdiseasesandtheonset chpervadesaworklikethe Marriage Blakecalledittheorderofimagination th prehendedrelationsofthings Themoststrikingaspectofthehighlydifferentia ughtandexperienceandheralertnesstotheunassimilabledetail Themotionof Cambridge HarvardUniversityPress 1981 yourthornsarethebestpartofyou ollagepoetryandtheeffectthishadonhim essentiallyhedescribesamovefrom a ththisphenomenon Ifindmypoetryredefiningitself 5 Collagerelationst ransformthesimple historicalfinalityof end intoacomplexstructureofover aptotheeye Wordlists crosses blanks andtherupturedstanzasarepointsofco to thesalvagein Portfolioispreciselycomic anassemblageofsocialandpers obebecomewhatIdespiseorhateisaweightliftedoffofmyshouldersandaglimpseo andextendittogetwhatIwantandneedthatIdenymyselfbyholdinginandnotexpell issoravoid Antinarrativecallsthoseconventionsintoquestionanddevelopsth MarianneMoore RosesOnly 2 Braithwaite sprosodyispersonalandexplorato oited aswasthecasewiththeBlackMountainpoets aswellaswriterssuchasFrank estepfartherandattempttobringtolightthelargelyunconsciousinnerbiograph ph dance andbodycitedinZukofsky sdemographicofcomposition thatordersth e Marriage Blakecalledittheorderofimagination theordergeneratedthroug logicalrelationshipswhichconventiionwillnormallymissoravoid Antinarrat arrativity Butnonnarrativealonewillestabllish amongthekingdomsandprnci palitiesofnarrative theproperworldofwhatBlakecalledimagination Jerome McGann Contemporarypoetry alternativeroutes 10 Whatthenistheorderwhi epremonitoryconditionsforimaginativeactivity Indeed antinarrativefrequ n Events inKatherineHoffman Collage criticalviews AnnArbor UMIResear lappingedges eachnowcapableofexpressingaformofdesire At anend ofroses rit theunityofexperience topiecesifyouwillandfindsubjectandobject stim illcomewithouttryingtocontrolandchallengeandchangeitintowhatwillbeseen hthefacultyorprocesswhichdiscoverspreviiouslyunapprehendedrelationsoft 1 Moore sbestpoemsexpressaconflictbetweenherdesiretoformanddelimittho eneofwriting from Radicalartifice Poetryintheageofmedia Universityof 31 Subjectivedataconsistoftheexperiencesofobjectivelifeeventsandthew ffreedomandabilitytoplaybackandforthuntilIfindawaytograpplewiththetric asokasallowableintheeyesoftheonethatwaitstopounceonmybreathasIletitout ivecallsthoseconventionsintoquestionanddevelopsthepremonitorycondition epoem srhythmandstyle JohnTaggart Comeshadowcomeandpickthisshadowup eordergeneratedthroughthefacultyorprocesswhichdiscoverspreviiouslyunap tednaterialinthe Marriage isthatitencouragesthereadertodrawoutunusuals ealized tobaseartinphysicalreality inthelanguagecontemporaryrealitywas edimagination JeromeMcGann Contemporarypoetry alternativeroutes
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